LOFTER for ipad —— 让兴趣,更有趣

点击下载 关闭

精神反刍

4109浏览    67参与
赛博坦张献忠

很难不分享一下齐泽克这篇分析黑格尔的雄文

很难不分享一下齐泽克这篇分析黑格尔的雄文

赛博坦张献忠

Not least among the prerequisites for doing so is the rediscovery of virtues that torture chambers and stage-managed party conferences deprived of all meaning: honesty regarding one’s own past and present actions; untrammelled thinking, even at the point where it becomes uncomfortable; integrity,...

Not least among the prerequisites for doing so is the rediscovery of virtues that torture chambers and stage-managed party conferences deprived of all meaning: honesty regarding one’s own past and present actions; untrammelled thinking, even at the point where it becomes uncomfortable; integrity, even and especially in relation to opponents. Machiavellian cunning can be useful in establishing a dictatorship, but when it comes to emancipating ourselves from exploitation and oppression, it inspires no one.

赛博坦张献忠

to be caught happy in a world of misery was for an honest man the most despicable of crimes

to be caught happy in a world of misery was for an honest man the most despicable of crimes

赛博坦张献忠
“拄着宗教的拐杖才能行走的道德...

“拄着宗教的拐杖才能行走的道德,在被夺去这些拐杖时是要倒塌的。”

“拄着宗教的拐杖才能行走的道德,在被夺去这些拐杖时是要倒塌的。”

赛博坦张献忠
瞬间的人性是为了增加额外的战栗

瞬间的人性是为了增加额外的战栗

瞬间的人性是为了增加额外的战栗

赛博坦张献忠

他们知道,他们无法拯救,

于是下棋,年复一年,

夜夜如此,等待一剑穿心。

我从来没有听说死,离普通人的心脏

如此不可及,一种漂亮高贵的结局。

我的要求是,为了爱,放弃所有,

像古老寓言中的老国王一样去死,

何必需要战斗和激情?何必需要

那些炫耀做我的背景?

我真正爱过,我没有背叛任何人。

我不需要最后的闪电,不需要狂暴

徒劳地捶打这扇笼门。

他们知道,他们无法拯救,

于是下棋,年复一年,

夜夜如此,等待一剑穿心。

我从来没有听说死,离普通人的心脏

如此不可及,一种漂亮高贵的结局。

我的要求是,为了爱,放弃所有,

像古老寓言中的老国王一样去死,

何必需要战斗和激情?何必需要

那些炫耀做我的背景?

我真正爱过,我没有背叛任何人。

我不需要最后的闪电,不需要狂暴

徒劳地捶打这扇笼门。

赛博坦张献忠

变4秘史

只能说派拉蒙舔得真是很用力

变4秘史

只能说派拉蒙舔得真是很用力

赛博坦张献忠

海德格尔与纳粹。既得利益者抢占受害者车位,炮制谎言掩盖罪行,颠倒黑白倒打一耙,把自己包装成委屈的绝世白莲,一本正经相信美国和布尔什维克的礼崩乐坏比纳粹屠杀更坏。与此同时德国高校学阀们也是原形毕露,什么种族主义、反犹主义、无数人家破人亡的不幸,重要性都不如学阀的自尊心!绝不能以任何理由破坏师生之间的等级!

海德格尔与纳粹。既得利益者抢占受害者车位,炮制谎言掩盖罪行,颠倒黑白倒打一耙,把自己包装成委屈的绝世白莲,一本正经相信美国和布尔什维克的礼崩乐坏比纳粹屠杀更坏。与此同时德国高校学阀们也是原形毕露,什么种族主义、反犹主义、无数人家破人亡的不幸,重要性都不如学阀的自尊心!绝不能以任何理由破坏师生之间的等级!

赛博坦张献忠

马克·吐温居然写过这样的话,以后得找来读一下。看到southern white men’s tendency to justify anything they did as a defense of southern white women时忍不住要冷笑出声,国内有些蝻的连这也抄去了!

马克·吐温居然写过这样的话,以后得找来读一下。看到southern white men’s tendency to justify anything they did as a defense of southern white women时忍不住要冷笑出声,国内有些蝻的连这也抄去了!

赛博坦张献忠

最喜欢独木舟船夫那段:

Canoeman, for example, became infamous among European governors and sea captains for their independence. They refused to work in heavy surf, demanded higher wages and additional rations, quit upon insult or abuse, and abandoned work altogether when enslavement threatened. Attempts to...

最喜欢独木舟船夫那段:

Canoeman, for example, became infamous among European governors and sea captains for their independence. They refused to work in heavy surf, demanded higher wages and additional rations, quit upon insult or abuse, and abandoned work altogether when enslavement threatened. Attempts to control them through regulations issued from Europe or from local corporate headquarters failed utterly. "These canoeman, despicable thieves," sputtered one Englishman in 1711, "think that they are more than just labour."

赛博坦张献忠

The freezing of time achieved by the Trauerspiel signifies the need of the absolutist state to bring history to an end; the absolutist monarch himself becomes the primary source of signification in a world drained of historical dynamic. This theme, too, will find a later echo in Benjamin, in that...

The freezing of time achieved by the Trauerspiel signifies the need of the absolutist state to bring history to an end; the absolutist monarch himself becomes the primary source of signification in a world drained of historical dynamic. This theme, too, will find a later echo in Benjamin, in that ultimate abolition of history which is fascism. Such significant temporality as there is, however, belongs more to hermeneutic practice itself than to its objects; the time of the Trauerspiel is as empty as its realia, the negation of that teleological vision which Benjamin will later denounce as 'historicism', listlessly open to the Jetztzeit — the totalizing, transfiguring moment — that never comes. As the petrified stage-properties are ritually shuffled, time is almost folded back into space, dwindled to a recurrence so agonizingly empty that some salvific epiphany might indeed just be conceived to tremble on its brink. If there is a moment in the Trauerspiel that resembles the Jetztzeit — the apocalyptic point at which time stands still to receive the plentitude of hitherto dismembered meaning — it resembles it only as caricature: 'the narrow frame of midnight, an opening in the passage of time, in which the same ghostly image constantly reappears'.

赛博坦张献忠
赫尔德食之无味,弃之也不可惜,...

赫尔德食之无味,弃之也不可惜,不过这段保守逼修辞还是蛮典的

赫尔德食之无味,弃之也不可惜,不过这段保守逼修辞还是蛮典的

赛博坦张献忠

With the “doleful song” which Taylor describes, we see the beginning of the African transformation in the Americas. The old structure of African music is used to pattern...

With the “doleful song” which Taylor describes, we see the beginning of the African transformation in the Americas. The old structure of African music is used to pattern the new experience of exile. The sea-changed song is a song of exile. Here began the spirituals, here began jazz. Here began the world-wide beat and sound and pressure of the humiliated, degraded, disrupted, abandoned man. Here began his auto-salvation, the means by which he patterns, in “the worst possible biological conditions,” his new and alien rite de passage.

LOFTER

让兴趣,更有趣

简单随性的记录
丰富多彩的内容
让生活更加充实

下载移动端
关注最新消息