The Secret Garden House / UTAA

城市秘密花园/UTAA

Text description provided by the architects. Unlike the Cheongdam Sageori(crossroads) which has wide roads and colorful buildings, Biwon's site is located at the hill crossing which is on a 6-meter road. Buildings under redevelopment around narrow roads made the horizontal space more stuffy with uniform and dense mass and darkened the scenery of the landscape with their own closed language. The first task was to solve the stuffiness of the earth and has street expansion and vitality.

不像Cheongdam Sageori有宽阔的道路和五彩的建筑，Biwon坐落于宽六米道路的街角处。街道上拥堵着处于再开发状态的建筑，这使水平空间被相似且稠密的建筑挤得密不透气，蒙蔽了属于他们自己的良好地景。首要任务是解决用地紧张，扩张街道和活力。

Design Solution [Change of Mass]. As the first stage of design, the scale of a building was made by stacking, and the volume was arranged by applying the city's regulations and the appropriate area. In the process, the mass began to make a colorful form by alternating and reducing rather than a regular form. In addition, through the external stairway which is positively assigned to the street rather than the closed staircase, it has created a visual extension and a dynamic image in the landscape. Floor specific terraces placed alternately were suggested for users to use them as a yard. It has a hidden garden that can not be found in the city, and the garden serves as both inner and outer transition spaces as well as windy paths.

设计的初始阶段，建筑是堆积的体块，其体量的摆放顺应城市和地区的规律。通过室外楼梯的置入，积极回应了街道环境，效果比封闭的楼梯间好很多，它为环境创造了一种视觉延伸，成为景观中一个戏剧化的元素。楼层中交替置入特定的露台，提醒使用者可以把它当做院子使用。它是城市中一座隐藏的花园，这个花园不仅是内外转换的空间也是通风的小径。

 

Utilization of Materials [Brick]. A brick is a material whose value does not change over time. Like good buildings and people, bricks prove their value in proportion to time. Three-dimensional mass and a calm white antique brick as a single material were used to give a grand yet calm feeling while giving the weight of a building itself. In order to make a change of single material, we tried to give unity and diversity to the elevation while making a change in pattern through several stacking methods. From the general stucco work to masonry work, the building was filled with various looks.

砖的价值是不为时间转移的。就像是好的建筑和人一样，砖在流逝的时间里成倍累计它的价值。在三维的杂乱环境里将平静古老的砖作为唯一的材料，给予建筑本身重量的同时也赋予了建筑宏大但是平静的气质。为了在单一材质中做出一点改变，当我们通过几种体块堆叠的方法在水平图形中做改变的同时，我们尝试在立面上保持统一和变化。从整体抹灰到砖石结构上，整体建筑处处有不同。

 

For Biwon, we only focused on the value of lease and area in terms of the building and ceased to think about the role and value of a building in the city. We tried to propose an answer to the question of the role of architecture in the city through Biwon as well as finding the area. The hidden garden in a city or a terrace, sunken, and stairways to a 6-meter road can be the first step. The closed staircase and the brick-surrounded open staircase create a movement flow line directly connected from the first floor to the second floor, suggesting the pleasure of the way to go, through the expressions of the various patterns and light flow of bricks. And the open terrace is an open space for the city, and the four-story terrace where the light falls between bricks is a space with a hidden garden in the city.

对于Biwon来说，我们仅仅关注建筑的租约地契而未曾思考城市中建筑的角色和价值。通过Biwon我们尝试理解城市中建筑所扮演的角色。城市中隐藏的花园或是露台，或是通往六米道路的楼梯是我们的第一步。砖石环绕的开放楼梯创造了一个直接连接一楼到二楼的流动动线，通过砖石不同图案和流动光线的表达，暗示我们有一条令人愉悦的小路可以上楼。而且开放的露台还以城市开放空间，砖石间光线洒落的露台是城市中隐藏的秘密花园。

可以学习的点：和城市的关系处理 立面虚实变化 建筑概念和城市情怀 主辅空间布置

• 四层小楼做的十分精致，把私密空间丢到顶层后，下面的楼层布置的很精巧，首先交通集中一侧，根据立面虚实关系退让出一些露台，反之回应立面的虚实和体块的叠加，和城市的关系通过室外双首层策略和露台来解决，不圈地自萌用烂了的挖庭院和错层策略就不提了。接着说它的立面，只用转和玻璃和钢楼梯，立面大面积的砖石带来厚实感，用钢楼梯和小面积开窗来打破砖石带来的历史厚重感。是个优秀的立面。同样多露台的话，画轴测也会无比好看。